The Object of Labels – Writing Interpretive Text for Exhibitions
DUE TO POPULAR DEMAND, this workshop is being offered twice on Friday 21 February 2020
9.30am-12.30pm AND 2pm-5pm
Please note the morning session is full. Registrations for the afternoon session are now open. Register at labelwriting2020pm.eventbrite.com.au
Where: Supreme Court Library Queensland
Level 12, Queen Elizabeth II Courts of Law, 415 George St, Brisbane
Cost: $60 General, $55 Concession
Concession includes Public Galleries Queensland Members, Australian Museums and Galleries Association Queensland Members, Students, Volunteers, Pensioners
What's included: Workshops resources and morning/afternoon tea
This workshop will provide participants with the knowledge, skills and confidence to write effective interpretive text, exploring both the theory and practice behind good labels. The presenter, Samantha Littley, will cover topics including:
• Why write labels – the purpose of interpretive text
• Considering your audience – how visitors use labels
• Label hierarchy – introductory text panels, themed panels, object labels – and what to include on each
• Writing labels that work – tips to engage interest
• Accessibility – writing for diverse audiences
The workshop will be an opportunity for attendees to participate in practice-based learning, share their own experiences and contribute to a conversation about how to write labels that visitors want to read.
Participants are asked to bring a label that they think is either an effective, or ineffective, example of interpretive text, and come prepared to discuss why.
Registrations are limited to 2 people from each organisation.
Please note the morning session is full. Registrations for the afternoon session are now open.
About Samantha Littley
Samantha works independently as a writer and curator, and is a Masters candidate at the Centre for Art History and Art Theory, Australian National University. From 2003 to 2008, she was Curator of Australian Art to 1970 at the Queensland Art Gallery | Gallery of Modern Art, where she curated the retrospective Making it Modern: The Watercolours of Kenneth Macqueen, and oversaw the rehang of QAG’s Australian Art galleries, which opened together with GOMA in 2006.
As Curator at The University of Queensland Art Museum (UQ Art Museum), her exhibitions included Peter Hennessey: Making it Real (2015), and Second Sight: Witchcraft, Ritual, Power (2019), the outcome of a partnership between UQ Art Museum and UQ’s Institute for Advanced Studies in the Humanities (IASH).